15 November 2008

Two Out Of Chile

WIDOWS by Ariel Dorfman, translated by Stephen Kessler
New York, Seven Stories Press: 2002 863.DOR

TO DIE IN BERLIN by Calors Cerda, translated by Andrea G. Labinger
Pittsburgh, Latin American Literary Press: 1999 (1993) 863 CER

The overthrow of the Allende government of Chile on 11 August 1973, like many horrific events, has beget some outstanding literature. Of the two authors at hand, Ariel Dorfman is much the better known, but that may be a simple result of Cerda living out his exile from his homeland in Europe.
Dorfman, who was imprisoned after the coup by the Pinochet dictatorship, recently gave a speech to the Modern Language Association about the vicissitudes of preserving freedom, titled The Homeland Security Department Ate My Speech. Typical of Dorfman's work, it was a literary exercise that poked fun at intellectuals who take themselves too seriously while, at the same time, dealing with painful issues. According to reports, if the test of a good mind is the ability to hold two conflicting ideas at once, the MLA members mostly failed.
Not so Widows, a novel that began life as a poem, and then grew into a play. When your subject matter includes the bodies of men washing up on the ocean's shore, their faces rendered unrecognizable by torture, it is perhaps necessary to employ a distancing device. So Dorfman sets Widows in Greece circa 1942 (the year Dorfman was born). The story is told through the eyes of a Danish man, who is eventually picked up by the Nazis and disappears. To women goes to unbearable burden of remembrance in this powerful short novel.
Carlos Cerda (1942-2001), like many supporters of the elected President, Salvador Allende, went into exile after the coup. One of many "boomerang" writers, so named because they returned to Chile after freedom of the press was restored, Cerda moved first to neighboring Colombia and then lived in East Berlin, where he earned a doctorate in philosophy. Winner of several literary prizes, Cerda died of cancer just before he was scheduled to speak at the first International Book Fair to be held in Santiago.
To Die In Berlin follows the lives of several characters exiled in Berlin, especially a former senator, Don Carlos, a man doubly exiled by his inability to speak German, and his watchful neighbor, a young ballet dancer named Leni. Don Carlos has used his diplomatic skills to help other exiles wishing to travel but his dying wish, to return home, is thwarted by the German authorities.
Leni also observes the charade of exiles Lorena and Mario, whose marriage is dying, as they attempt to create a semblance a family togetherness for their parents who are just arrived from Chile. Just as they hide the fact that Mario is living with another woman, the parents have concealed their desperate financial situation. In the end, Lorena is exiled once again, moving alone to West Berlin to get a job that can support the family.
Two short, memorable novels that deal with recent political events without trivializing or propaganda.

01 November 2008

Versailles: The Most Beautiful Park In The World






Site plan from www.lib.utexas.edu

Nelson Rockefeller, II, had two loves: art and world peace. In 1924, in the aftermath of the 'Great War', he determined to use his wealth to save France's endangered treasures. The Rockefeller fortune financed the restoration of the medieval fortress of Fontainbleau, the cathedral at Reims, and the royal seat of Versailles, site of negotiations that had midwived the birth of the American republic.

VERSAILLES: A GARDEN IN FOUR SEASONS
by Jacques Dubois & Jean d'Ormesson Paris, Vendome Press: 1979 779.443 FOLIO
It began its existence as a modest hunting lodge for French monarchs in 1623. Under Louis XIV, the Sun King, it became a monument to the wedding of royal splendour with good government. His advisers wanted Louis to make the Louvre Museum in central Paris his royal residence, but the farsighted monarch chose instead an unhealthy swamp with no view and almost no water, and unleashed the best artisans of the day to create a paradise on earth. Hydraulic pumps, cascading conduits, and collection ponds supply the myriad fountains in a system that is still working today. The fountains, which were only turned on when the king was in residence, are turned on one Sunday each month and photographer Jacques Dubois was there to capture their magic at every hour and season.

VERSAILLES GARDENS: SCULPTURE & MYTHOLOGY
by Jacques Girard Paris, Vendome Press: 1985 730.944 GIR
The Versailles gardens are dedicated to the Greek god Apollo, nature's sovereign. The Olympian deities are everywhere in this most fully realized sculpture garden since antiquity.
War interrupted Louis XIV's plans to grab more water for his fountains from the neighbors, so he employed an army of sculptors to create tableaux to entertain visitors. Louis even wrote his own tour guide to the gardens.
Classical allusions provided a wealth of ready made material for artists. Modeled in marble, bronze, and lead, the statues illustrate the seasons, the elements, and the four temperaments. (The Four Temperaments were first devised by Hippocrates (c.450 BCE) as a way of understanding human personality through analogy with the elements of nature.)
At sixty, the king was smitten by the high spirits of the young Duchess of Burgundy, and ordered his sculptors to produce child-god statuary embodying the renewed royal joie de vivre. Masters represented include Francois Girardon's graceful works, the pure lines of Jean-Baptiste Tubi, and vivid movement in the characters of Etienne le Hongre.

ANDRE LE NOTRE: GARDEN ARCHITECT TO KINGS
by Helen M. Fox New York, Crown: 1962 712.5 FOX
He was the third generation in his family to garden when the king honored Le Notre's work with its own coat of arms. "Three snails and a head of cabbage - but I must not forget my spade for it is due to my spade that I am the recipient of all the kindnesses with which your majesty honors me." King and commoner shared a mutual love of gardens and architecture.
A modest man, Le Notre (1613-1700) read Descartes for inspiration and attempted to reflect the philosopher's ideas in his three decades of landscape design at Versailles. And with what glorious results. Broad terraces facilitated the flow of water and provided breathtaking vistas. Parterre gardens, with their strict geometric forms, employed plants as furniture - hence the movable potted palms and the orangeries. Ponds and fountains were laid out on a series of axes that permitted garden viewing from inside the palace. Le Notre would also use this device to great effect to project the central axis of the Tuilleries in Paris out to the Arc de Triomphe.
So influential was Le Notre's Versailles that princes everywhere flattered the King by imitating his garden.

LES PLAISIRS DE VERSAILLES
by Marc-Antoine Charpentier Paris, Erato: 1996 compact disc D/CHAR
Although most of his works were composed for the church, Charpentier (1643-1704) created operatic diversions for Louis XIV and his guests. Among the musical pleasures on this cd, Music and Conversation personified debate which is more essential to pleasure. Pastoraletta is a diminutive work for a chorus of shepherds and Airs and Senses are duets inspired by the popular Spanish drama El Cid.

For more information, visit the official website http://www.chateauversailles.fr/ You can read about recent acquisitions and renovations - in English or, if you want, practice your French, bonne chance!